Review of the Cup of the Director of Death Stranding

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This is another year, and thanks to endless marketing cycles that require the content to have multiple chances of being noticed by consumers with a longer and weaker attention duration, we are honored by another Version of Death Stranding of Hideo Kojima. This time it s called Death Stranding: Director s Cut, and although it s easy to talk about whether the original game was something other than a director, I found myself impatient to plunge into the world strangely prophetic. Kojima. It was an excellent game after all, and some additional features could certainly not hurt.

The original game, despite all the controversy on what he was or was not, had a vision that persists in the Director s Cut. As human beings (still) in the midst of an insulating and stimulating global event, Sam Porter Bridges serves as a replacement for all of us. The struggles seem and feel immense, and the loneliness of the game loop slows you intentionally, holds you back and give priority to immediate needs. Only once you become familiar with this restriction that the game offers you another option that facilitates the task.

The course of action? Link. By working together and looking for more, SAM s task becomes easier. But never for a long time. There is always another mountain to climb, or a stack of incredibly high merchandise to balance. This intentional metaphor of this cycle is not something that really struck me when I played the original (especially in the void of an embargo on critics), but it is undeniably one of the main Things Kojima hammers in Death Stranding.

The power of the PS5 is the most important for the playing experience in relation to the original. Death Stranding: Director s Cut offers both a loyalty mode and a performance mode, targeting the 4K and 60 IPS respectively. He looks exceptional. The lighting, the quality of the materials and the general sharpness of the Director s Cut are really excellent. Do you like the skin? You will see a lot of really convincing appearance skin here. Performance is also solid as a rock. According to my experience, the Fidelity mode reaches 60 IPS almost all the time, which is not surprising given the performance of the PC version of the game. The higher frequency of images is however truly transformative and makes each of the Sam tasks more controlled. The same goes for the haptic engines of the dualsense. Gently squeeze triggers against resistance feels much better than other more flexible triggers. Making small corrections at the corner and the chosen path is much easier to 60 frames per second, and this makes the global experience more fluid.

It turns out that Death Stranding controls are extremely granular. No, it s not a game to explode stuff or make flips, but there is a fantastic feeling of satisfaction to win while walking. It s, if you have patience.

The gameplay requires it and the narration responds accordingly. This is a game Kojima from end to end, and you will probably already know if you like it or not. The long and persistent close-up of the characters, the names of ridiculous characters on the nose and the most Hollywood s most Hollywood camera angles are all there. For the most part, it s good. Norman Reedus is the weak link, but fortunately, Tommer Earl Jenkins, Le Le Seydoux and Troy Baker, among others, are there to flex their muscles when they need it.

The story is absolutely impregnated with pseudoscience, but it is the kind of absurdity that is just quite credible to rotate your imagination. It is also repetitive, covering certain points almost until nausea while ignoring the most interesting nuances or gaps of the puzzle. Many of these gaps are filled with text a bit like in MGSV: The Phantom bread, but I would have liked to see more exhibitions on the bridging world of Death Stranding. As I said in my criticism of the pc version: Show, Don t Tell is immediately displayed in full screen, where we see the time and its effects, an inverted rainbow and several other indices Important in the first 30 seconds of the game. His selection of plans really captures the imagination, and the only shame here is that a greater part of the story is not up to the quality of the kinematics. Budgets, amirite?

By writing on this game for the third time, it was difficult to browse new horizons. I am visciously disrupted by how much and how fast the ideas of Death Stranding have become reality. But finally, most of my PS4 and Death Stranding critics always hold. Fortunately, there is new content. The start of the game is much easier to develop through new objects and enhanced tips content, while Ruined Factory and Cargo Catapult add significantly to the meta-game of America s reconstruction. They are, however, peripheral and do not correspond exactly what I would have preferred in an expanded understanding of the world of Death Stranding. I do not know who is interested in the race in Death Stranding, but it s now an option. Is it worth upgrading to the director s Cut content? No. But if you have not lived, Death Stranding remains a wonderful and strange adventure of one of the most infamous minds in the industry.

Hideo Kojima is the physical manifestation of the Director s Cut. Often, his idea of ​​a beautiful neat package is like having a version of 6 hours from 2001: A Space Odyssey, but I am always very grateful for his presence in our industry. It is not afraid to take risks and do something that people do not like, and most often, it does things that I like or that I can at least enjoy. Death Stranding is a combination of all these things. I appreciate it, I like playing it, and during this third part, I became more convinced that ever there is something really special here for those who want to take the time to watch their boots.

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